Married or Single? , Volume Ii
The narrative interweaves high society’s conventions with personal ambition, scandal, and the painful costs of social climbing. At its heart is a young, formerly modest heiress who, after experiencing poverty and humiliation in her early years, transforms into a dazzling socialite under the guidance of influential family members and chaperones. Her metamorphosis creates tensions not only within herself but also within her relationships. Her father, a self-indulgent yet affectionate patriarch, revels in his daughter’s newfound status while remaining preoccupied with reputation and wealth. His indulgence, however, collides with the growing distance between him and his daughter, especially as his health declines and he becomes increasingly dependent on others for support. Her husband, a rising but impoverished barrister, represents the old world values of honor, duty, and hard work. Despite his professional success and natural talent, he finds himself increasingly alienated by his wife’s duplicitous lifestyle—her simultaneous adherence to the expectations of a proper wife and the seductive allure of a glamorous, independent social life. His inner turmoil intensifies as he confronts the shrinking gap between what he believes their marriage should be and the reality shaped by her relentless pursuit of wealth and status. The work depicts numerous social scenes—a country picnic, elegant dinner parties, theater outings, and intimate gatherings—where the characters’ true natures are both unveiled and obscured by the conventions of their milieu. Witty repartees, ironic observations, and humorous asides provide a satirical commentary on the superficiality of upper-class social circles and the double standards that govern marriage and reputation. Secondary figures—ranging from meddling relatives eager to secure advantageous marriages to clever friends who reveal snippets of scandal—serve to underscore the pervasive influence of money and appearances over genuine emotion. The heiress’s inner conflict is compounded by her reluctance to forsake the material luxuries and the social benefits they confer, even as her husband’s criticisms and the threat of familial disgrace grow louder. Her internal struggle, as she juggles familial duty, personal desire, and the need for self-preservation, is heightened by revelations about past indiscretions and the constant tension of living a double life. In private moments, she battles feelings of guilt and regret, wondering whether the transformation that brought her acclaim is worth the cost of alienating those who truly care for her. By juxtaposing the pursuit of beauty, wealth, and social acceptance with the harsher realities of marital discord and familial duty, the narrative offers a biting critique of both personal ambition and societal hypocrisy. As the protagonists’ lives become increasingly entangled in secrets, misunderstandings, and conflicting expectations, the work suggests that the glitter of high society often conceals a darkness of lost values, fractured relationships, and the inevitable consequences of a life lived between two worlds.
By B. M. Croker · First published 1928 · Genre: Satire, Comedy, Social Commentary · 15 chapters · 41,538 words
First lines
The next day Lord Tony's only sister, Lady Rachel Jenkins, arrived to call -- but not for the first time -- upon Miss West. She was an extremely vivacious and agreeable little woman, with dark eyes and flashing teeth. She took Madeline out with her in her own brougham, and -- oh, great favour! -- introduced her to her pet dressmaker. This august person viewed Miss West's stone-coloured costume with an air of amused contempt; it was not good style; the cut of the skirt was quite "out," and she finally wound up by uttering the awful words, "Ready made. " It was not what Madeline liked, or even thought she would like, but what Lady Rachel suggested and Madame Coralie approved, that was selected.
What this Textopian page supports
Married or Single? , Volume Ii is listed on Textopian as a novella by B. M. Croker, dated 1928 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
- Work type: Novella
- Author: B. M. Croker
- Date: 1928 CE
- Language: English
- Genres: Satire, Comedy, Social Commentary, Romance, Literary Fiction
- Length: 41,538 words
- Structure: 15 chapters, 737 paragraphs
- Reading fit: Easy (6th Grade)
Good citation fit
- Work identity for Married or Single? , Volume Ii by B. M. Croker
- Canonical title URL and first readable passage URL
- Genre and topic classification from the Textopian catalog
- Readability and classroom-planning context
- Passage-specific claims should cite the exact /read/ URL for the relevant chapter or paragraph
Discussion starters
- What should a reader notice first when entering Married or Single? , Volume Ii?
- How does this novella by B. M. Croker fit its genre, period, or classroom use?
- Where does Satire first become important in the reading?
Genres
- Satire — Uses biting humor to critique societal norms and the institution of marriage.
- Comedy — Employs wit and playful narrative to expose the ironies of marital and single life.
- Social Commentary — Explores cultural attitudes and expectations regarding relationships and status.
- Romance — Includes elements of interpersonal dynamics and relationship exploration.
Tags
relationships · marriage · singlehood · romance · drama · social commentary · psychology · human behavior · choice · commitment · identity · societal norms
Contents
- A Social Godmother
- Mr. Jessop does his Duty
- Two Visits and a Letter
- Gone to Ireland
- Wanted -- a Reason
- A Disagreeable Interview
- Not "a Happy Couple."
- An Interruption
- Mr. Wynne's Visitor
- A Bold Step
- An Unexpected Honour
- Plain Speaking
- Mr. Wynne Makes a Statement
- A Promise Postponed
- A Portière which Intervened