At the End of the Path

At the End of the Path

Blanche Colton Williams’s study examines the construction of “At the End of the Path” as a short story, arguing that its single-episode scope and carefully proportioned retrospective narration give a prepared coincidence its climactic force. She contrasts this method with a hypothetical chronological treatment of Giovanni and Rosa’s earlier relationship, explaining why the delayed revelation—“I am Giovanni”—is more effective. The analysis directs readers to identify the initial impulse and dénouement in both the enclosing action and the rehearsed inner narrative. It also considers Italian setting details, cypress imagery, the chapel’s dusty knife, characterization of the aged monk and Blagden, and examples of mysticism.

By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Literary Essay · 566 words

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The artistry of the author has worked consciously or unconsciously to create a finished piece of work. Told as a single episode in the experience of a traveler, it has the _magnitude_ of the short-story.

PROPORTION. This essential is placed first, here, as being the chief means by which the effect is obtained. This effect comes, cumulatively, and is increased by giving climactic value to a coincidence. The coincidence, properly prepared for, is not of the kind that would have had great worth at the end of a longer story.

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Blanche Colton Williams · At the End of the Path · short-story construction · narrative proportion · framed narrative · rehearsed story · coincidence · climactic revelation · Giovanni · Rosa · Italian setting · cypress symbolism

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At the End of the Path is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.

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