
The poem explores the theme of love as an ephemeral and immediate experience, emphasizing the necessity of savoring love in its natural state rather than attempting to possess or store it. The imagery of fruit hanging from a bough symbolizes love's accessibility and the idea that true fulfillment comes from experiencing love in the moment. The speaker asserts that one can only take away what they can physically hold, suggesting that love cannot be hoarded or preserved for later. The repeated insistence on not plucking the fruit underscores the transient nature of love, warning against the desire to capture and control it. The metaphor of winter as a time of emptiness and decay contrasts sharply with the vibrancy of love in its prime, highlighting the consequences of trying to harvest love prematurely. The poem ultimately conveys a sense of urgency to engage with love authentically and fully, rather than allowing it to wither away in the pursuit of security or permanence.
By Edna St. Vincent Millay · First published 1942 · Genre: Poetry, Lyric, Romanticism · 136 words
Never, never may the fruit be plucked from the bough And gathered into barrels.
He that would eat of love must eat it where it hangs.
Though the branches bend like reeds, Though the ripe fruit splash in the grass or wrinkle on the tree, He that would eat of love may bear away with him Only what his belly can hold, Nothing in the apron, Nothing in the pockets.
Never, never may the fruit be gathered from the bough And harvested in barrels.
Never May the Fruit be Plucked is listed on Textopian as a poem by Edna St. Vincent Millay, dated 1942 CE.
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Poetry · Feminism · Nature · Symbolism · Imagery · Metaphor · Allegory · Mythology · Philosophy · Existentialism · Humanism · Romanticism