
The poem explores themes of grief, loss, and the contrasting expressions of mourning. It opens with a call for silence among those who mourn, suggesting that their sorrow is misplaced or less profound compared to the speaker's own experience of loss. The speaker reflects on the nature of grief, asserting that true grief is felt by those who have no hope of reunion with the deceased. The speaker addresses the mourners, questioning the authenticity of their sorrow, as they seem to find solace in their beliefs about an afterlife. The poem contrasts the superficial expressions of grief with a deeper, more personal anguish that cannot be assuaged by faith or hope. The imagery of the "marked door," "ribbon," and "fern" evokes a sense of ritual and the physical markers of death, while the mention of the "good man" and "pretty child" highlights the innocence and loss of life. As the poem progresses, the speaker grapples with the idea of faith and the expectations placed upon mourners. The speaker's disdain for the outward displays of grief by the "true believers" underscores a tension between societal norms of mourning and the individual's authentic emotional experience. The poem ultimately suggests that the depth of sorrow is not measured by public displays but by the internal struggle of those left behind, emphasizing a profound sense of isolation in grief. The work concludes with a poignant reflection on the nature of love and loss, leaving the reader to contemplate the complexities of mourning and the varying ways individuals cope with the absence of loved ones. The speaker's voice serves as a reminder that grief is a deeply personal journey, often misunderstood by those who adhere to conventional expressions of sorrow.
By Edna St. Vincent Millay · First published 1939 · Genre: Lyric Poetry, Elegy, Modernist Poetry · 144 words
Now let the mouth of wailing for a time
Be shut, ye happy mourners; and return
To the marked door, the ribbon and the fern, Without a tear. The good man in his prime, The pretty child, the Gone-from a fair clime
Above the ashes of the solemn urn
Now Let the Mouth of Wailing for a Time is listed on Textopian as a poem by Edna St. Vincent Millay, dated 1939 CE.
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Poetry · Free Verse · Symbolism · Imagery · Metaphor · Allegory · Mythology · Femininity · Motherhood · Nature · Death · Loss