
The poem explores themes of love, desire, and the complexities of relationships. The speaker addresses a potential lover, expressing a willingness to engage in a romantic relationship while acknowledging the limitations and unfulfilled desires that accompany it. The speaker's tone is both inviting and resigned, suggesting a pragmatic approach to love. The speaker contemplates the nature of affection and the societal expectations surrounding marriage. There is a sense of longing for a connection that feels unattainable, as the speaker reflects on the idea of loving someone who may not reciprocate those feelings. The imagery of gifts symbolizes the exchange of affection and the desire for commitment, while the mention of a "dark head" represents an idealized love that remains out of reach. Throughout the work, the speaker grapples with the tension between personal desires and the realities of love. The acknowledgment of potential happiness, even in a flawed relationship, highlights the complexity of human emotions. The poem ultimately suggests that love can be both a source of joy and a cause of pain, and that the pursuit of connection is a fundamental aspect of the human experience.
By Edna St. Vincent Millay · First published 1923 · Genre: Poetry, Romantic, Lyric · 173 words
Oh, come, my lad, or go, my lad, And love me if you like.
I shall not hear the door shut Nor the knocker strike.
Oh, bring me gifts or beg me gifts, And wed me if you will.
I'd make a man a good wife, Sensible and still.
The Betrothal is listed on Textopian as a poem by Edna St. Vincent Millay, dated 1923 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
Romance · Poetry · Love · Marriage · Feminism · Society · Class · Status · Family · Relationships · Duty · Freedom