
After Sainte-Nitouche is buried, Vanderberg speaks privately with the narrator about the life he believes her death has made possible. Though he has a wife, a child, and a church, he insists that he must not abandon them; instead, he will return to them changed. He sees Sainte-Nitouche as having led him through suffering toward a higher, freer existence. He admits the bitterness of what has happened but calls his path dark, hard, and divinely guided, and resolves to follow it faithfully. The narrator, doubtful and uneasy, says little, while Vanderberg asks him to tell him the next day that he was right. Vanderberg lives on as he predicted, but the narrator comes to know him as a man sustaining himself through performance and rigid routine. He laughs defensively, preaches cold and excessively long sermons, restores the home he had called a shrine, and preserves the outward role of clergyman. His former friends grow distant. Later, Vanderberg confides that he has never shared something with anyone else, but believes the narrator understands him. He demands confirmation that his faith, love, and belief in his own partial truth were justified. As the narrator watches, Vanderberg dies. The narrator sees that Vanderberg’s body goes to the grave but believes that something belonging to him continues to live: truth, even “quarter truth,” cannot be reached by death. He reflects that struggle and triumph persist beyond outward defeat, yet Vanderberg had no guide and made his starry quest alone. The narrator cannot decide whether Vanderberg’s conviction was merely passion serving a half truth or whether love ultimately triumphed. He knows only that Vanderberg died with a wholly radiant smile.
By Edwin Arlington Robinson · First published 1897 · Genre: Narrative Poetry, Dramatic Monologue, Psychological Poetry · 1,728 words
THOUGH not for common praise of him, / Nor yet for pride or charity, / Still would I make to Vanderberg
One tribute for his memory:
Sainte-Nitouche is listed on Textopian as a poem by Edwin Arlington Robinson, dated 1897 CE.
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poetry · lyric poem · American literature · early twentieth century · psychological portrait · irony · hypocrisy · social criticism · repression · respectability · moral ambiguity · character study