
The novel revolves around a young woman's descent into madness and her subsequent involvement with a mysterious and sinister figure. As the story unfolds, it becomes clear that this individual has a profound influence over her, manipulating her perceptions of reality and leading her down a path of destruction. The narrative explores themes of obsession, control, and the blurring of lines between truth and fantasy.
By Guy Boothby · First published 1906 · Genre: Mystery, Crime, Adventure · 14 chapters · 82,116 words
We were in Venice; Venice the silent and mysterious; the one European city of which I never tire. My wife had not enjoyed good health for some months past, and for this reason we had been wintering in Southern Italy. After that we had come slowly north, spending a month in Florence, and a fortnight in Rome _en route_, until we found ourselves in Venice, occupying a suite of apartments at Galaghetti's famous hotel overlooking the Grand Canal. Our party was a small one; it consisted of my wife, her friend, Gertrude Trevor, and myself, Richard Hatteras, once of the South Sea Islands, but now of the New Forest, Hampshire, England. It may account for our fondness of Venice when I say that four years previous we had spent the greater part of our honeymoon there.
Farewell, Nikola is listed on Textopian as a novel by Guy Boothby, dated 1906 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
Supernatural Fiction · Gothic Horror · Occult Thriller · Mystery Novel · Psychological Thriller · Dark Fantasy · Paranormal Mystery · Victorian Era Fiction · Epic Story · Adventure Novel · Thrilling Plot · Suspenseful Narrative