
The novel explores the complexities of marriage and relationships through the story of a young couple, Rachel and her husband, who are struggling to maintain their love amidst societal pressures and personal differences. The narrative delves into themes of identity, morality, and the constraints placed on women in patriarchal societies. Through Rachel's inner turmoil and her interactions with those around her, the novel critiques the social norms that govern relationships and the expectations placed on individuals within them.
By Israel Zangwill · First published 1897 · Genre: Comedy, Satire, Romance · 4 chapters · 7,020 words
When Schneemann, the artist, returned from Rome to his native village in Galicia, he found it humming with gossip concerning his paternal grandmother, universally known as the _Bube_ Yenta. It would seem that the giddy old thing hobbled home from synagogue conversing with Yossel Mandelstein, the hunchback, and sometimes even offered the unshapely septuagenarian her snuffbox as he passed the door of her cottage. More than one village censor managed to acquaint the artist with the flirtation ere he had found energy to walk the muddy mile to her dwelling. Even his own mother came out strongly in disapproval of the ancient dame; perhaps the remembrance of how fanatically her mother-in-law had disapproved of her married head for not being shrouded in a pious wig lent zest to her tongue. The artist controlled his facial muscles, having learnt tolerance and Bohemianism in the Eternal City.
Holy Wedlock is listed on Textopian as a novel by Israel Zangwill, dated 1897 CE.
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Social Commentary · Marriage · Jewish Culture · Victorian Era · Satire · Comedy of Manners · Family Dynamics · Love Story · Romance · Class Conflict · Morality Tale · Social Satire