
The novel is a philosophical and metaphysical exploration of the nature of reality, God, and humanity. It is written from the perspective of a giant creature who serves as a symbol for the divine. The story follows the creature's journey through various realms, encountering different forms of existence and consciousness. Throughout the narrative, the creature engages in conversations with various beings, including humans, angels, and other creatures, which serve to illustrate the complexities and contradictions of human thought and perception. The novel is structured as a series of dialogues between the creature and its interlocutors, which are presented in a non-linear fashion. This structure allows for a fluid exploration of different philosophical and metaphysical concepts, including the nature of time, space, and causality. Ultimately, the novel presents a vision of reality that is fragmented, ambiguous, and open to multiple interpretations. The creature's journey serves as a metaphor for the human search for meaning and understanding in an uncertain world.
By Jorge Luis Borges · First published 1957 · Genre: Philosophical, Theological, Literary Criticism · 402 words
Four centuries before the Christian era, Behemoth was a magnification of the elephant or of the hippopotamus, or a mistaken and alarmist version of these animals; it is now precisely the ten famous verses describing it in Job (XL: 15-24) and the huge being which these lines evoke. The rest is wrangling and philology.
Behemoth is listed on Textopian as a short story by Jorge Luis Borges, dated 1957 CE.
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Philosophical Fiction · Metaphysical Novel · Existentialism · Absurdism · Mythology · Fable · Paradox · Labyrinthine Narrative · Symbolic Language · Allegory · Critique of Power · Critique of Knowledge