
The story revolves around a man who is obsessed with the idea of being a character in a novel. He believes that his life is predetermined and that he is merely a fictional creation. The narrative explores themes of identity, reality, and the blurring of lines between fiction and reality.
By Jorge Luis Borges · First published 1942 · Genre: Crime, Psychological, Historical · 2,148 words
Juan MurañaFor years now, I have been telling people I grew up in that part of Buenos Aires known as Palermo. This, I've come to realize, is mere literary bravado; the truth is that I really grew up on the inside of a long iron picket fence in a house with a garden and with my father's and his father's library. The Palermo of knife fights and of guitar playing lurked (so they say) on street comers and down back alleys. In 1930, I wrote a study of Evaristo Carriego, a neighbor of ours, a poet and glorifier of the city's outlying slums. A little after that, chance brought me face to face with Emilio Trápani. I was on the train to Morón. Trápani, who was sitting next to the window, called me by name. For some time I could not place him, so many years had passed since we'd been classmates in a school on Thames Street. Roberto Godel, another classmate, may remember him.
Juan Muraña is listed on Textopian as a short story by Jorge Luis Borges, dated 1942 CE.
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Philosophical Fiction · Short Story Collection · Literary Experimentation · Metaphysical Themes · Existentialism · Absurdism · South American Literature · Magical Realism · Symbolism · Mythology · Fable · Paradox