The Double

The Double by Jorge Luis Borges

A man's life is disrupted when a doppelganger appears, leading him to question his own identity and sanity. The story explores themes of identity, reality, and the blurring of lines between self and other.

By Jorge Luis Borges · First published 1915 · Genre: Philosophical Fiction, Fantasy, Literary Fiction · 444 words

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Suggested or stimulated by reflections in mirrors and in water and by twins, the idea of the Double is common to many countries. It is likely that sentences such as A friend is another self by Pythagoras or the Platonic Know thyself were inspired by it. In Germany this Double is called Doppelgänger, which means 'double walker'. In Scotland there is the fetch, which comes to fetch a man to bring him to his death; there is also the Scottish word wraith for an apparition thought to be seen by a person in his exact image just before death. To meet oneself is, therefore, ominous. The tragic ballad ‘Ticonderoga' by Robert Louis Stevenson tells of a legend on this theme. There is also the strange picture by Rossetti (‘How They Met Themselves') in which two lovers come upon themselves in the dusky gloom of a wood. We may also cite examples from Hawthorne (‘Howe's Masquerade'), Dostoyevsky, Alfred de Musset, James (‘The Jolly Corner'), Kleist, Chesterton (‘The Mirror of Madmen'), and Hearn (Some Chinese Ghosts).

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The Double is listed on Textopian as a short story by Jorge Luis Borges, dated 1915 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

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Psychological Thriller · Philosophical Fiction · Short Story Collection · Literary Experimentation · Identity Crisis · Doppelganger Theme · Existentialism · Absurdism · Paradox · Self-Discovery · Dual Identity · Mirroring

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