
The narrative unfolds through a dialogue between a maiden and an unnamed interlocutor, exploring themes of artistry, individuality, and societal judgment. The maiden expresses her admiration for an acrobat, a figure marginalized by society yet embodying a unique blend of physical grace and emotional depth. She perceives the acrobat as transcending conventional notions of worth, contrasting him with more traditional figures of authority and respect, such as musicians. The acrobat's performance is depicted as a celebration of freedom and creativity, unbound by societal expectations. His movements are likened to ethereal qualities, suggesting a connection to the spiritual or the sublime. The maiden's affection for him is not rooted in earthly desires but in an appreciation for his artistic expression and the liberation it represents. The dialogue raises questions about the nature of value and success, challenging the reader to reconsider what it means to be "better" or "worse." The acrobat's rejection of societal norms and his embrace of insincerity highlight a deeper philosophical inquiry into authenticity and the human experience. The maiden's defense of the acrobat serves as a critique of societal standards that often overlook the beauty found in unconventional paths. As the narrative progresses, the acrobat becomes a symbol of resilience and the pursuit of passion, embodying a spirit that defies the constraints imposed by society. The maiden's admiration reflects a longing for a world where creativity and individuality are celebrated rather than reviled. The work ultimately champions the idea that true strength lies not in conformity but in the courage to embrace one's unique identity and artistic vision.
By Maxwell Bodenheim · First published 1924 · Genre: Poetry, Literary Fiction, Symbolism · 430 words
Maiden, where are you going, With impudence that makes your arms and legs Unnecessary feathers? Your eyes have interceded Between the flesh and soul, And show a light of reconciliation. For whom have you prepared yourself?
I go to see an acrobat Reviled by men, and acting Within a lonely circus owned By Mind, Soul, & Heart, Incorporated. I love his limbs whose muscles Compete with twirls of gossamer, And Oh, I love him not With the drooling, fevered weight of earth. He turns my blood to one Profusion of melted wings.
Revile the Acrobat is listed on Textopian as a poem by Maxwell Bodenheim, dated 1924 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
Poetry · Symbolism · Modernism · Experimentation · Imagery · Metaphor · Allegory · Mythology · Folklore · Dreams · Nightmares · Psychological Insight