
Orlando explores the vibrant social life of London as its protagonist navigates her new identity as a woman, grappling with love, ambition, and societal expectations while feeling a growing disconnection from the superficiality of court life. The narrative juxtaposes her past experiences of freedom and belonging with the constraints of her current existence.
By Virginia Woolf · First published 1928 · Genre: Modernist Fiction, Biographical Fiction, Fantasy · 6 chapters · 91,861 words
He -- for there could be no doubt about his sex, though the fashion of the time did something to disguise it -- was in the act of slicing at the head of a Moor which swung from the rafters. It was the colour of an old football, and more or less the shape of one, save for the sunken cheeks and a strand or two of coarse, dry hair, like the hair of a coconut. Orlando's father, or perhaps his grandfather, had struck it from the shoulders of a vast Pagan who had started up under the moon in the barbarian fields of Africa; and now it swung, gently, perpetually, in the breeze which never ceased blowing through the attic rooms of the gigantic house of the lord who had slain him.
Historical Fiction · Fantasy · Romance · Time Travel · Gender Identity · Androgyny · Love Story · English Literature · 20th Century Novel · Experimental Writing · Stream-of-Consciousness · Non-Linear Narrative
Orlando is listed on Textopian as a novel by Virginia Woolf, dated 1928 CE.
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