
Orlando explores the vibrant social life of London as its protagonist navigates her new identity as a woman, grappling with love, ambition, and societal expectations while feeling a growing disconnection from the superficiality of court life. The narrative juxtaposes her past experiences of freedom and belonging with the constraints of her current existence.
By Virginia Woolf · First published 1928 · Genre: Modernist Fiction, Biographical Fiction, Fantasy · 6 chapters · 91,861 words
He -- for there could be no doubt about his sex, though the fashion of the time did something to disguise it -- was in the act of slicing at the head of a Moor which swung from the rafters. It was the colour of an old football, and more or less the shape of one, save for the sunken cheeks and a strand or two of coarse, dry hair, like the hair of a coconut. Orlando's father, or perhaps his grandfather, had struck it from the shoulders of a vast Pagan who had started up under the moon in the barbarian fields of Africa; and now it swung, gently, perpetually, in the breeze which never ceased blowing through the attic rooms of the gigantic house of the lord who had slain him.
Orlando is listed on Textopian as a novel by Virginia Woolf, dated 1928 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
Historical Fiction · Fantasy · Romance · Time Travel · Gender Identity · Androgyny · Love Story · English Literature · 20th Century Novel · Experimental Writing · Stream-of-Consciousness · Non-Linear Narrative