
The work explores themes of love, desire, and the human experience through vivid imagery and sensory details. It begins with a young man in a moment of introspection, reflecting on his journey towards confession and the complexities of his emotions. The imagery of a room filled with lamplight symbolizes warmth and intimacy, contrasting with the darker elements of the narrative. As the poem progresses, the tone shifts to a more somber reflection on the nature of desire and the human condition. The speaker grapples with the conflicting sensations of beauty and decay, represented by the "dark vinegar smelling place" and the "souring flowers." This juxtaposition highlights the tension between longing and the often unpleasant realities of life. The speaker's nose becomes a metaphor for the insatiable human curiosity and desire, questioning the need to engage with all aspects of existence, even those that are unappealing. The rhetorical questions posed emphasize a sense of frustration and self-awareness, as the speaker contemplates the consequences of their desires on relationships and self-perception. Ultimately, the work delves into the complexities of human emotions, the interplay between love and decay, and the struggle to find meaning amidst the contradictions of life. The vivid sensory language invites readers to engage with the text on a visceral level, reflecting the multifaceted nature of human experience.
By William Carlos Williams · First published 1948 · Genre: Poetry, Modernist Literature, Lyrical · 376 words
Witness, would you -- / one more young man / in the evening of his love / hurrying to confession: / steps down a gutter / crosses a street / goes in at a doorway / opens for you -- / like some great flower -- / a room filled with lamplight; / or whirls himself / obediently to / the curl of a hill / some wind-dancing afternoon; / lies for you in / the futile darkness of / a wall, sets stars dancing / to the crack of a leaf -- / and -- leaning his head away -- / snuffs (secretly) the bitter powder from / his thumb's hollow, / takes your blessing and / goes home to bed?
Keller Gegen Dom is listed on Textopian as a poem by William Carlos Williams, dated 1948 CE.
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Poetry · American Literature · Modernism · Free Verse · Experimental Poetry · Imagist Movement · Symbolism · Nature Imagery · Urban Landscape · Industrialization · Social Commentary · Working Class Life