
The Well at the World's End
The Well at the World's End follows a young prince on his adventurous quest to find a mythical well, where he encounters love, danger, and ultimately embarks on a journey of self-discovery. Through his trials, he must navigate complex relationships and the challenges posed by his surroundings.
By William Morris · First published 1896 · Genre: Fantasy, Adventure, Romance · 60 chapters · 260,541 words
First lines
Long ago there was a little land, over which ruled a regulus or kinglet, who was called King Peter, though his kingdom was but little. He had four sons whose names were Blaise, Hugh, Gregory and Ralph: of these Ralph was the youngest, whereas he was but of twenty winters and one; and Blaise was the oldest and had seen thirty winters.
What this Textopian page supports
The Well at the World's End is listed on Textopian as a novel by William Morris, dated 1896 CE.
This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.
- Work type: Novel
- Author: William Morris
- Date: 1896 CE
- Language: English
- Genres: Fantasy, Adventure, Romance, Mythopoeia, Literary Fiction
- Length: 260,541 words
- Structure: 119 chapters, 2,528 paragraphs
- Reading fit: Easy (6th Grade)
Good citation fit
- Work identity for The Well at the World's End by William Morris
- Canonical title URL and first readable passage URL
- Genre and topic classification from the Textopian catalog
- Readability and classroom-planning context
- Passage-specific claims should cite the exact /read/ URL for the relevant chapter or paragraph
Discussion starters
- What should a reader notice first when entering The Well at the World's End?
- How does this novel by William Morris fit its genre, period, or classroom use?
- Where does Fantasy first become important in the reading?
Similar titles
Genres
- Fantasy — The novel features a mythical quest and fantastical elements, characteristic of the fantasy genre.
- Adventure — The plot revolves around a journey filled with challenges and exploration, typical of adventure narratives.
- Romance — The story includes romantic relationships that are central to character development and plot progression.
- Mythopoeia — The work creates a rich, invented mythology, aligning it with the mythopoeic genre.
Tags
Medieval Fantasy · Arthurian Legend · Quest Narrative · Coming of Age · Chivalric Romance · Christian Allegory · Mythological Themes · Symbolic Journey · Hero's Quest · Self-Discovery · Friendship · Love Story
Contents
More by William Morris