Who Gets the Credit in Literature?

From Machu Picchu's "discoverer" to the question of how many Homers there were, this week's literary news is really one argument about credit.

Who Gets the Credit? Discovery, Authorship, and the Canon

Mark Rice, recommending five books on Machu Picchu for Five Books, calls the site a symbol that has never been straightforward. The giveaway is a single pair of quotation marks: one of his five titles is the record left by the site's "discoverer." Those two little marks are doing an enormous amount of work. Someone arrived at a place that was already there, wrote it down, and the writing became the beginning of the story.

That quiet argument runs through almost everything in this week's literary news. Different continents, different centuries, one stubborn question — whose name ends up attached to a thing, and what happens to everyone who was there first?

Rice's list moves from that early record through Pablo Neruda and Che Guevara and on to the latest archaeological and historical work. It is a small syllabus in how a place accumulates authors. A poet gives it music, a revolutionary gives it politics, archaeologists give it evidence, and each layer argues with the man who claimed to have found it.