Abbé Mouret's Transgression by Émile Zola

With only one lamp burning amid the verdure on the altar of the Virgin, huge floating shadows filled the church at either end. From the pulpit a sheet of gloom projected to the rafters of the ceiling. The confessional looked quite black under the gallery, showing strange outlines suggestive of a ruined sentry-box. All the light, softened and tinted as it were by the green foliage, rested slumberingly upon the tall gilded Virgin, who seemed to descend with queenly mien, borne upon the cloud round which gambolled the winged cherubim. At sight of that round lamp gleaming amid the boughs one might have thought the pallid moon was rising on the verge of a wood, casting its light upon a regal apparition, a princess of heaven, crowned and clothed with gold, who with her nude and Divine Infant had come to stroll in the mysterious woodland avenues.

Between the leaves, along the lofty plumes of greenery, within the large ogival arbour, and even along the branches strewing the flagstones, star-like beams glided drowsily, like the milky rain of light that filters through the bushes on moonlit nights. Vague sounds and creakings came from the dusky ends of the church; the large clock on the left of the chancel throbbed slowly, with the heavy breathing of a machine asleep. And the radiant vision, the Mother with slender bands of chestnut hair, as if reassured by the nocturnal quiet of the nave, came lower and lower, scarce bending the blades of grass in the clearings beneath the gentle flight of her cloudy chariot.