A Wedding Trip by Emilia Pardo Bazán

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The Casino was for Perico and Miranda, as for all the other idlers of the colony, house and home during the time they spent at the springs. The great edifice, taken as a whole, might be likened to a concert of voices, inviting to the enjoyment of the rapid and easy life of our age.

The spacious peristyle, the principal facade with its broad roof, its private garden where exotic plants grow in graceful baskets, and its rich and fanciful ornamentation of dazzling whiteness; the tall columns of burnished porphyry that support the interior portion of the building; its luxurious arm-chairs and broad divans; the mischievous cupids (artistic symbol of the ephemeral passions that last during a two weeks' course of the waters), that run around the cornice of the large ball-room or hover on the blue background of the broad panels of the theater; the profusion of gold, artistically disposed in touches, like points of light, or in long stripes, like sunbeams; the large window -- everything, in short, contributes to give one the idea of an Athenian temple, improved and enriched with the benefits and pleasures of modern civilization.

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