Alide by Emma Lazarus

Never before had Goethe found his varied occupations in the city so wearisome as when he resumed them after his brief holiday at the parsonage. Not long before, he had written to a friend that "for the first time he knew what it was to be happy without his heart being engaged. Pleasant people and manifold studies left him no time for feeling. His life was like a sledge-journey, splendid and sounding, but with just as little for the heart as it had much for eyes and ears. " But now all was different; he had hone of his previous animation to impart to anything that he attempted. Perhaps had he been able to remain by Alide's side, the fancy so suddenly enkindled would have burnt itself out; but now that he was separated from her, it developed into an absorbing passion which deprived him of all spirit for his ordinary pursuits. Her every charm was infinitely magnified by distance and by the most powerful of imaginations.

He found himself forever contrasting the tedium of this enforced absence with the blissful consciousness of life and youth, and "that highest grace of love," which he had known in her presence. He was obliged to renounce his sketching, for it gave his mind too much scope to lose itself in idle reverie as he sat listlessly before his canvas. At any other period of his life, his restlessness, his longing, his depression, and his feverish excitement would have found their surest and safest vent in composition, -- in the production of those inimitable songs, each one of which has crystallized a subtle, and what had hitherto appeared an indescribable, condition or emotion of the heart.