The Mystic Krewe by Maurice Thompson

About seventy years ago a young man of strong physique and prepossessing appearance arrived at New Orleans. He had come from New York, of which city he was a native, and had brought with him a considerable sum of money, supplemented by a letter of introduction to Judge Favart de Caumartin, who was then at the flood tide of his fame.

It would not be fair to call our young man ("our hero" would be the good old phrase) an adventurer, without taking pains to qualify the impression that might be produced. Hepworth Coleman had his own way of looking at life. Fifty years later he would have been a tragedian -- probably a famous one, but the conditions were not favorable to awakening histrionic ambition at the time when his character, his tastes, his ambition should have been forming. What he saw that was most fascinating to him had no distinct form; it lay along the south-western horizon, a dreamy, mist-covered something not unlike the confines of romance.

Hepworth Coleman was rich, and what was, perhaps, a greater misfortune, he had no living kinsfolk for whom he cared or who cared for him. Practically speaking, he was alone in the world: moreover, he had an imagination. Scott's novels, Byron's poetry, the French romances, and I know not what else of the sort, had been his chief reading. For physical recreation he had turned to fencing and pistol practice. When I add that he was but twenty-two and unmarried, the rest might be guessed, but Coleman was not a young man of the world in the worst sense -- he had not turned to evil sources of dissipation. Healthy, vigorous, full of spirit, he nevertheless had sentimental longings as indefinite as they were persistent.

Youth is the spring time when "Longen folk to gon on pilgrimages," as old Chaucer words it, and it would be hard to find the young man who has not felt the vaguely outlined yet irresistible desire to wander, to go over the horizon into a strange, new world. Hepworth Coleman, when he was taken with this longing, felt no restraint cast around him. He was absolutely free, had all the means necessary -- why should he not go where he pleased? If it seems strange that he should have been attracted to New Orleans rather than to the Old World, we must remember what New Orleans was in 1820. No other city, not even Paris, could at that time compare with it as a center of genuine romance, nor was this romance unmixed with lawlessness of the most picturesque kind. Money poured into it from a hundred sources more or less illegitimate, besides the streams of wealth produced by cotton, sugar, and rice industries.

Gambling was indeed a fine art, duelling appeared more a pastime than anything else, and what went on in the gilded halls and melody-filled salles may be imagined, I suppose, though, I do not care to cast a glance that way.

Hepworth Coleman had heard much of the gay city, of its warm, odorous atmosphere, its hospitality, its social charm, the smack of reckless romance in all its ways. Somehow the desire to go there got hold of his imagination and he went.

The letter to Judge Favart de Caumartin was given to Coleman by his banker, who in handing it to him said:

"I don't know the Judge personally, never saw him; but he has done a lot of business through us. He is very rich, evidently very influential, and certainly will be of use to you. I feel that I can take the liberty of sending you to him, because -- well, he is under many obligations to the bank, and is likely to want many more large favors. I fancy that you'll find him a trifle eccentric, but enthusiastically hospitable. A creole of the creoles I judge him to be, and a representative of the nabobs."

Young Coleman considered himself lucky to carry with him a document that would give him introduction to a person so renowned as Judge Favart de Caumartin, of whom he had been recently reading a good deal owing to a duel fought between the Judge and one Colonel Sam Smith, of the United States army, in which the latter had been killed. The duel had brought out history from which it appeared that Judge Favart de Caumartin had fought before, not once only, but many times, and always to the death of his antagonist. Along with these facts were disclosed numerous picturesque details of the Judge's past life, with more than hints that in his young days he had been a pirate or something of the sort. The account also made the most of his wealth, his almost reckless liberality, his eccentricity, and, most of all, the air of mystery which still hung over his business operations.

All this was rich food for an imagination already thoroughly saturated with the spirit of romantic adventure, and during the voyage from New York to New Orleans Hepworth Coleman found deep satisfaction in anticipating what he felt was in store for him. In every fiber of his frame he felt the assurance that he was on the way to new and strange experiences.

His banker had sent a letter to precede his arrival by a few days, asking a friend to secure suitable apartments for Mr. Hepworth Coleman, gentleman, the consequence being that a dark young man, small but well-built and handsome, met him at the landing to conduct him to his suit of elegant rooms on Royal Street.

"Is you Meestu Coleman, sah? " inquired this young stranger in a musical and respectful tone of voice. "I look fo' zat ma' at prayson."

"Yes, sir, that is my name," said Coleman briskly, at the same time he showed by his look that he would like to know whom he was meeting.

"Varee glad you come, Meestu Coleman; varee glad, sah, indeed. Got your rooms all prepare fo' you, sah. Yes, sah, zey is beautifu' an' sharming rooms."

"Thank you; I am much indebted. Are you the gentleman to whom Mr. Cartwright, the banker, wrote in my behalf?"

"Nah, sah, not any banker write to me; I been told to meet you at zis place at prayson. Happy to see you. Mist Coleman; varee happy."

There was an elegant carriage at hand waiting for our friend. A negro driver in livery and a small black footman stood by.