What's Wrong with the World by G.K. Chesterton

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We hear much of the human error which accepts what is sham and what is real. But it is worth while to remember that with unfamiliar things we often mistake what is real for what is sham. It is true that a very young man may think the wig of an actress is her hair. But it is equally true that a child yet younger may call the hair of a negro his wig. Just because the woolly savage is remote and barbaric he seems to be unnaturally neat and tidy. Everyone must have noticed the same thing in the fixed and almost offensive color of all unfamiliar things, tropic birds and tropic blossoms. Tropic birds look like staring toys out of a toy-shop.

Tropic flowers simply look like artificial flowers, like things cut out of wax. This is a deep matter, and, I think, not unconnected with divinity; but anyhow it is the truth that when we see things for the first time we feel instantly that they are fictive creations; we feel the finger of God. It is only when we are thoroughly used to them and our five wits are wearied, that we see them as wild and objectless; like the shapeless tree-tops or the shifting cloud. It is the design in Nature that strikes us first; the sense of the crosses and confusions in that design only comes afterwards through experience and an almost eerie monotony. If a man saw the stars abruptly by accident he would think them as festive and as artificial as a firework. We talk of the folly of painting the lily; but if we saw the lily without warning we should think that it was painted.

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