Rezanov by Gertrude Atherton

Concha had eaten no supper. As she entered the sala she clapped her hands, the guests ranged themselves against the wall, the musicians, livelier than ever, flew to their instruments; with the drifting, swaying movement she could assume at will, she went slowly, absently, to the middle of the room. Then she let her head drop backward, as if with the weight of her hair, and Rezanov, vaguely angry, expected one of those appeals to the senses for which Spanish women of another sort were notorious. But Concha, after tapping the floor alternately with the points and the wooden heels of her slippers, for a few moments, suddenly made an imperious gesture to Ignacio Sal. He sprang to her side, took her hand, and once more there was the same monotonous tapping of toes and heels.

Then they whirled apart, bent their lithe backs until their brows almost touched the floor in a salute of mock admiration, and danced to and from each other, coquetry in the very tilt of her eyebrows, the bare semblance of masculine indulgence on his eager, passionate face. Suddenly to the surprise of all, she snapped her fingers directly under his nose, waved her hand, turned her back, and made a peremptory gesture to that other enamoured young swain, Captain Antonio Castro of Monterey. Don Ignacio, surprised and discomfited, retired amidst the jeers of his friends, and Concha, with her most vivacious and gracious manner, met Castro half way, and, taking his hand, danced up and down the sala, slowly and with many improvisations. Then, as they returned to the center of the room and stepped lightly apart before joining in a gay whirl, she snapped her fingers under HIS nose, made a gesture of dismissal over her shoulder, and fluttered an uplifted hand in the direction of Sturgis.