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There are four other ways in which women (exclusive of the artist class) are enjoying remunerative careers: as social secretaries, play brokers, librarians, and editors; and it seems to me that I cannot do better than to drop generalities in this final chapter and give four of the most notable instances in which women have "made good" in these highly distinctive professions. I have selected four whom I happen to know well enough to portray at length: Maria de Barril, Alice Kauser, Belle da Costa Greene, and Honore Willsie. It is true that Mrs. Willsie, being a novelist, belongs to the artist class, but she is also an editor, which to my mind makes her success in both spheres the more remarkable. To edit means hours daily of routine, details, contacts; mechanical work, business, that would drive most writers of fiction quite mad. But Mrs. Willsie is exceptionally well balanced.
1. MARIA DE BARRIL