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A woman's heart may be said to resemble a subterranean cavern to which communication is had by means of a trap-door. How the lover enters this guarded precinct depends upon the lover and the woman. Sometimes the trap-door is jerked open, and he is hurled down with no by your leave, gobbled up, willing or unwilling. Sometimes there is a desperate fight just over the trap-door, in which he does sometimes, but not always, come off victor. At other times he suddenly finds himself rambling through those labyrinthine passages, to his surprise and that of the woman, who, however, perceives him instantly. There is no such fallacy as that a girl turns in terror or in any other sentiment from the knowledge of this dweller below the trap-door. A woman of experience may, after that first glimpse: she may, in fact, bolt the trap-door yet more tightly and sit herself upon it.
But a girl uses it as a frame for her face and watches every movement of the occupant with neither fear nor foreboding until occasion comes, -- hanging the halls with the tapestry of dreams, fitting the end of each rose-hued scented gallery with the magic mirror of the future.