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Miss Austin remained but a few moments in the studio. She was embarrassed and angry, and Rush was not the sole object of her wrath: she anathematised herself not only for permitting her literary enthusiasm to carry her to the point of attempting coercion and running the risk of being called bad names by an expert in crime, but for speaking out impulsively in the first place and throwing her cards on the table. It had been her intention to cultivate the wretch's acquaintance and lead him on with excessive subtlety; but he had proved impervious to her maidenly hints that she would like to know him better; equally so to her boyish invitation to come over some evening and meet a number of the newspaper girls who were all fighting for his client. Fifteen minutes alone with him in the quiet streets of Elsinore at night was an opportunity that might never come again, and she had surrendered to impulse.
She was now more deeply convinced than ever that he had killed David Balfame, but although she had no intention of denouncing him even if she found her proofs in the course of persistent sleuthing, she thought it wise to "keep him guessing," as the uneasiness of mind caused by this constant pressure from without might eventually drive him to her for counsel and aid. Like all healthy young American writers of fiction, she was an incurable optimist, and as yet untempered in the least by the practical experiences of a New York reporter.