The Woman who Did by Grant Allen

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When she returned from Sir Anthony's to her mother's lodgings, she found Herminia, very pale, in the sitting-room, waiting for her. Her eyes were fixed on a cherished autotype of a Pinturicchia at Perugia, -- Alan's favorite picture. Out of her penury she had bought it. It represented the Madonna bending in worship over her divine child, and bore the inscription: "Quem genuit adoravit. " Herminia loved that group. To her it was no mere emblem of a dying creed, but a type of the eternal religion of maternity. The Mother adoring the Child! 'Twas herself and Dolly.

"Well? " Herminia said interrogatively, as her daughter entered, for she half feared the worst.

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