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Employing our privilege as romancers, we will go back a little way, and return to Don Cornelio, whom Valentine looked after with such astonishment when he saw him leave the camp in such an unusual manner.
In the first place we will say a few words about Don Cornelio, that joyous and careless gentleman whom, in the first part of this history, we saw so impassioned for music generally, and the romance del Rey Rodrigo in particular. At the present time he was greatly changed: he no longer sang -- the chords of his jarana no longer vibrated under his agile fingers; a deep wrinkle crossed his brow; his cheeks had grown pale; and he frowned incessantly under the pressure of gloomy thoughts. What could have happened? What powerful cause had thus changed the Spaniard's character?