The Long Portage by Harold Bindloss

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It was early in the afternoon when Lisle arrived at Millicent's house and, after a glance at its quaint exterior, was ushered into her drawing-room. There he sat down and looked about while he waited. The salient tones of its decoration were white and aqueous blue, and the effect struck him as pleasantly chaste and cool. Among the rather mixed ornaments were a couple of marble statuettes, the figures airily poised and very finely wrought. Next, he noticed some daintily carved objects in ivory, and a picture in water-color of a wide, gray stretch of moor with distance and solitude skilfully conveyed. He had risen to examine it when Millicent entered.

"I'm glad you came, though, as you're used to the life of the woods and rivers, I'm a little diffident about showing you my sketches," she said. "I'm afraid I've kept you waiting."

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