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"Well, we ARE a pair! " the poor lady's visitor broke out to her at the end of her explanation in a manner disconcerting enough. The poor lady was Miss Cutter, who lived in South Audley Street, where she had an "upper half" so concise that it had to pass boldly for convenient; and her visitor was her half-brother, whom she hadn't seen for three years. She was remarkable for a maturity of which every symptom might have been observed to be admirably controlled, had not a tendency to stoutness just affirmed its independence. Her present, no doubt, insisted too much on her past, but with the excuse, sufficiently valid, that she must certainly once have been prettier. She was clearly not contented with once -- she wished to be prettier again. She neglected nothing that could produce that illusion, and, being both fair and fat, dressed almost wholly in black. When she added a little colour it was not, at any rate, to her drapery. Her small rooms had the peculiarity that everything they contained appeared to testify with vividness to her position in society, quite as if they had been furnished by the bounty of admiring friends. They were adorned indeed almost exclusively with objects that nobody buys, as had more than once been remarked by spectators of her own sex, for herself, and would have been luxurious if luxury consisted mainly in photographic portraits slashed across with signatures, in baskets of flowers beribboned with the cards of passing compatriots, and in a neat collection of red volumes, blue volumes, alphabetical volumes, aids to London lucidity, of every sort, devoted to addresses and engagements. To be in Miss Cutter's tiny drawing-room, in short, even with Miss Cutter alone -- should you by any chance have found her so -- was somehow to be in the world and in a crowd. It was like an agency -- it bristled with particulars.
This was what the tall lean loose gentleman lounging there before her might have appeared to read in the suggestive scene over which, while she talked to him, his eyes moved without haste and without rest. "Oh come, Mamie! " he occasionally threw off; and the words were evidently connected with the impression thus absorbed. His comparative youth spoke of waste even as her positive -- her too positive -- spoke of economy. There was only one thing, that is, to make up in him for everything he had lost, though it was distinct enough indeed that this thing might sometimes serve. It consisted in the perfection of an indifference, an indifference at the present moment directed to the plea -- a plea of inability, of pure destitution -- with which his sister had met him.