The Grey Wig by Israel Zangwill

Time wrote wrinkles enough on the brows of the two old ladies, but his frosty finger never touched their glossy brown hair, for both wore wigs of nearly the same shade. These wigs were almost symbolic of the evenness of their existence, which had got beyond the reach of happenings. The Church calendar, so richly dyed with figures of saints and martyrs, filled life with colour enough, and fast-days were almost as welcome as feast-days, for if the latter warmed the general air, the former cloaked economy with dignity. As for _Mardi Gras_, that shook you up for weeks, even though you did not venture out of your apartment; the gay serpentine streamers remained round one's soul as round the trees.

At intervals, indeed, secular excitements broke the even tenor. A country cousin would call upon the important Parisian relative, and be received, not in the little bedroom, but in state in the mustily magnificent salon of the hotel -- all gold mirrors and mouldiness -- which the poor country mouse vaguely accepted as part of the glories of Paris and success. Madame Depine would don her ponderous gold brooch, sole salvage of her bourgeois prosperity; while, if the visitor were for Madame Valiere, that _grande dame_ would hang from her yellow, shrivelled neck the long gold chain and the old-fashioned watch, whose hands still seemed to point to regal hours.