The Woman Beater by Israel Zangwill

She came "to meet John Lefolle," but John Lefolle did not know he was to meet Winifred Glamorys. He did not even know he was himself the meeting-point of all the brilliant and beautiful persons, assembled in the publisher's Saturday Salon, for although a youthful minor poet, he was modest and lovable. Perhaps his Oxford tutorship was sobering. At any rate his head remained unturned by his precocious fame, and to meet these other young men and women -- his reverend seniors on the slopes of Parnassus -- gave him more pleasure than the receipt of "royalties. " Not that his publisher afforded him much opportunity of contrasting the two pleasures. The profits of the Muse went to provide this room of old furniture and roses, this beautiful garden a-twinkle with Japanese lanterns, like gorgeous fire-flowers blossoming under the white crescent-moon of early June.

Winifred Glamorys was not literary herself. She was better than a poetess, she was a poem. The publisher always threw in a few realities, and some beautiful brainless creature would generally be found the nucleus of a crowd, while Clio in spectacles languished in a corner. Winifred Glamorys, however, was reputed to have a tongue that matched her eye; paralleling with whimsies and epigrams its freakish fires and witcheries, and, assuredly, flitting in her white gown through the dark balmy garden, she seemed the very spirit of moonlight, the subtle incarnation of night and roses.