The Rayner-Slade Amalgamation by J.S. Fletcher

There were various reasons why Ambler Appleyard's wonder had often been aroused by the man to whom Miss Slade had stopped to speak. He wondered about him, first of all, because of his personal appearance. That was striking enough to excite wonder in anybody, for he was one of those remarkable men who possess great beauty of countenance allied to unfortunate deformity of body. The face was that of a poet and a dreamer, the body that of a hunchback and a cripple. Painter or sculptor alike would have rejoiced to depict the face on canvas or carve it in marble -- its perfect shape, fine tinting, the lines of the features, the beauty of the eyes, the wealth of the dark, clustering hair, were all as near artistic perfection as could be. But all else spoke of deformity -- the badly bent back, the twisted body, the short leg, the misshapen foot. It was as if Nature had endeavoured in some wickedly mischievous freak to show how beauty and ugliness can be combined in one creature.

That was one reason for wonder in Appleyard's mind -- he had never come across quite this type before, though he knew that hunchbacks and cripples are often gifted with unusual strength, and more than usual good looks, as if in ironic compensation for their other disadvantages. But there were others. Mr. Gerald Rayner -- everybody knew everybody else's name in that private hotel, for they were all more or less permanent residents -- was something of a mystery man. In spite of his deformity, he was the best-dressed man in the house -- they were all smart men there, but none of them came up to him in the way of clothes, linen, and personal adornment, always in the best and most cultured taste. Also it was easy to gather that he was a young man of large means. Although he made full use of the public rooms, and was always in and about them of an evening, from dinner-time to a late hour, he tenanted a private suite of apartments in the hotel -- those residents, few in number, who had been privileged to obtain entrance to them spoke with almost awed admiration of their occupant's books, pictures, and objects of art. Mr. Gerald Rayner, it was evident, was a man of culture -- that, indeed, was shown by his conversation. And at first Appleyard had set him down as a poet, or an artist, or a writing man of some sort -- a dilettante who possessed private means. Then, being a sharp observer of all that went on around his own centre, he began to perceive that he must be mistaken in that -- Rayner was obviously a business man, like himself. For every morning, at precisely half-past nine, a smart motor-brougham arrived at the door of the private hotel and carried Rayner off Citywards; every afternoon at exactly half-past five the same conveyance brought him back. Only business men, said Appleyard, are so regular, so punctual; therefore Rayner must be a business man.