Auld Licht Idyls by James Matthew Barrie

The children used to fling stones at Grinder Queery because he loved his mother. I never heard the Grinder's real name. He and his mother were Queery and Drolly, contemptuously so called, and they answered to these names. I remember Cree best as a battered old weaver, who bent forward as he walked, with his arms hanging limp as if ready to grasp the shafts of the barrow behind which it was his life to totter up hill and down hill, a rope of yarn suspended round his shaking neck and fastened to the shafts, assisting him to bear the yoke and slowly strangling him. By and by there came a time when the barrow and the weaver seemed both palsy-stricken, and Cree, gasping for breath, would stop in the middle of a brae, unable to push his load over a stone. Then he laid himself down behind it to prevent the barrow's slipping back. On those occasions only the barefooted boys who jeered at the panting weaver could put new strength into his shrivelled arms. They did it by telling him that he and Mysy would have to go to the "poorshouse" after all, at which the gray old man would wince, as if "joukin" from a blow, and, shuddering, rise and, with a desperate effort, gain the top of the incline. Small blame perhaps attached to Cree if, as he neared his grave, he grew a little dottle. His loads of yarn frequently took him past the workhouse, and his eyelids quivered as he drew near. Boys used to gather round the gate in anticipation of his coming, and make a feint of driving him inside. Cree, when he observed them, sat down on his barrow-shafts terrified to approach, and I see them now pointing to the workhouse till he left his barrow on the road and hobbled away, his legs cracking as he ran.

It is strange to know that there was once a time when Cree was young and straight, a callant who wore a flower in his button-hole and tried to be a hero for a maiden's sake.