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In Emerson's Journal one sees the Emersonian worlds in their making -- the essays, the addresses, the poems. Here are the nebulae and star-dust out of which most of them came, or in which their suggestion lies. Now and then there is quite as good stuff as is found in his printed volumes, pages and paragraphs from the same high heaven of aesthetic emotion. The poetic fragments and wholes are less promising, I think, than the prose; they are evidently more experimental, and show the 'prentice hand more.
The themes around which his mind revolved all his life -- nature, God, the soul -- and their endless variations and implications, recur again and again in each of the ten printed volumes of the Journals. He has new thoughts on Character, Self-Reliance, Heroism, Manners, Experience, Nature, Immortality, and scores of other related subjects every day, and he presents them in new connections and with new images. His mind had marked centrality, and fundamental problems were always near at hand with him. He could not get away from them. He renounced the pulpit and the creeds, not because religion meant less to him, but because it meant more. The religious sentiment, the feeling of the Infinite, was as the sky over his head, and the earth under his feet.