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So far, they had seen nothing of Rosek at the little house. She wondered if Fiorsen had passed on to him her remark, though if he had, he would surely say he hadn't; she had learned that her husband spoke the truth when convenient, not when it caused him pain. About music, or any art, however, he could be implicitly relied on; and his frankness was appalling when his nerves were ruffled.
But at the first concert she saw Rosek's unwelcome figure on the other side of the gangway, two rows back. He was talking to a young girl, whose face, short and beautifully formed, had the opaque transparency of alabaster. With her round blue eyes fixed on him, and her lips just parted, she had a slightly vacant look. Her laugh, too, was just a little vacant. And yet her features were so beautiful, her hair so smooth and fair, her colouring so pale and fine, her neck so white and round, the poise of her body so perfect that Gyp found it difficult to take her glance away. She had refused her aunt's companionship. It might irritate Fiorsen and affect his playing to see her with "that stiff English creature. " She wanted, too, to feel again the sensations of Wiesbaden. There would be a kind of sacred pleasure in knowing that she had helped to perfect sounds which touched the hearts and senses of so many listeners. She had looked forward to this concert so long. And she sat scarcely breathing, abstracted from consciousness of those about her, soft and still, radiating warmth and eagerness.