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At three o'clock in the afternoon of the nineteenth of July little Ann Shropton commenced the ascent of the main staircase of Valleys House, London. She climbed slowly, in the very middle, an extremely small white figure on those wide and shining stairs, counting them aloud. Their number was never alike two days running, which made them attractive to one for whom novelty was the salt of life.
Coming to that spot where they branched, she paused to consider which of the two flights she had used last, and unable to remember, sat down. She was the bearer of a message. It had been new when she started, but was already comparatively old, and likely to become older, in view of a design now conceived by her of travelling the whole length of the picture gallery. And while she sat maturing this plan, sunlight flooding through a large window drove a white refulgence down into the heart of the wide polished space of wood and marble, whence she had come. The nature of little Ann habitually rejected fairies and all fantastic things, finding them quite too much in the air, and devoid of sufficient reality and 'go'; and this refulgence, almost unearthly in its travelling glory, passed over her small head and played strangely with the pillars in the hall, without exciting in her any fancies or any sentiment. The intention of discovering what was at the end of the picture gallery absorbed the whole of her essentially practical and active mind. Deciding on the left-hand flight of stairs, she entered that immensely long, narrow, and-with blinds drawn-rather dark saloon. She walked carefully, because the floor was very slippery here, and with a kind of seriousness due partly to the darkness and partly to the pictures.