The Bright Book of Life by Harold Bloom

"PERSUASION" IS A WORD derived from the Latin for "advising" or "urging," for recommending that it is good to perform or not perform a particular action. The word goes back to a root meaning "sweet" or "pleasant," so that the good of performance or nonperformance has a tang of taste rather than of moral judgment about it. Jane Austen chose it as the title for her last completed novel. As a title, it recalls Sense and Sensibility or Pride and Prejudice rather than Emma or Mansfield Park. We are given not the name of a person or house and estate, but of an abstraction, a single one in this case. The title's primary reference is to the persuasion of its heroine, Anne Elliot, at the age of nineteen, by her godmother, Lady Russell, not to marry Captain Frederick Wentworth, a young naval officer. This was, as it turns out, very bad advice, and, after eight years, it is mended by Anne and Captain Wentworth. As with all of Austen's ironic comedies, matters end happily for the heroine. And yet each time I finish a rereading of this perfect novel, I feel very sad.

This does not appear to be my personal vagary; when I ask my friends and students about their experience of the book, they frequently mention a sadness which they also associate with Persuasion, more even than with Mansfield Park. Anne Elliot, a quietly eloquent being, is a self-reliant character, in no way forlorn, and her sense of self never falters. It is not her sadness we feel as we conclude the book: it is the novel's somberness that impresses us. The sadness enriches what I would call the novel's canonical persuasiveness, its way of showing us its aesthetic distinction.