Downie by Selma Lagerlof

I think I can see them as they drive away. Quite distinctly I can see his stiff, silk hat with its broad, curving brim, such as they had in the forties, his light waistcoat and his stock. I also see his handsome, clean-shaven face with its small, small whiskers, his high stiff collar, and the graceful dignity of his slightest movement. He is sitting on the right in the chaise and is just taking up the reins, and beside him is sitting that little woman. God bless her! I see her even more distinctly. Like a picture I have before me that narrow, little face, and the hat that frames it, tied under the chin, the dark-brown, smoothly combed hair, and the big shawl with the embroidered silk flowers. The chaise in which they are driving has a seat with a green, fluted back, and of course the innkeeper's horse which is to take them the first six miles is a little fat sorrel.

I lost my heart to her from the very first moment. There is no sense in it, for she is the most insignificant little person; but I was won by seeing all the eyes that followed her when she drove away. In the first place, I see how her father and mother look after her from where they stand in the doorway of the baker's shop. Her father even has tears in his eyes, but her mother has no time to weep yet. She must use her eyes to look at her daughter as long as the latter can wave and nod to her. And then of course there are merry greetings from the children in the little street and roguish glances from all the pretty, little factory girls from behind windows and doors, and dreamy looks from some of the young salesmen and apprentices. But all nod goodwill and godspeed to her. And then there are anxious glances from some poor, old women, who come out and curtsey and take off their spectacles to be able to see her as she drives by in state. But I cannot see a single unfriendly look following her; no, not in the whole length of the street.