Good Luck by L.T. Meade

Mrs. Reed left the shop, and went home as quickly as her small, active feet could carry her. She was feeling quite brisked up by her interview with Shaw, and her indignation supplied her with strength. She got back to the model lodging in Sparrow Street, mounted to her own floor, and opened the door with a latch-key. Alison was sitting by the window, busy over the needlework which Grannie would have done had she been at home. Alison was but an indifferent worker, whereas Grannie was a very beautiful one. Few people could do more lovely hand work than Mrs. Reed. She was famous for her work, and got, as such things go, good prices for it. The very best shops in the West End employed her. She was seldom without a good job on hand. She had invented a new pattern in feather-stitching which was greatly admired, and which she was secretly very proud of -- it was an intricate pattern, and it made a very good show. No other workwoman knew how to do it, and Grannie was very careful not to impart her secret to the trade. This feather-stitching alone gave her a sort of monopoly, and she was too good a woman of business not to avail herself of it. It was the feather-stitching which had mostly tried her poor hand and arm, and brought on the horrid pain which the doctor had called writers' cramp.

"Some doctors are out-and-out fools," murmured the old woman to herself. "He were a very nice spoke gentleman -- tall and genteel, and he treated me like a lady, which any true man would; but when he said I had got writers' cramp in this hand, it must have been nonsense. For there, I never write; ef I spell through a letter once in six months to my poor sister's only child in Australia, it's the very most that I can do. Writers' cramp, indeed! Well, it's a comfort to know that he must be wrong. I wonder how Ally has got on with the work. Poor dear! I'll have to do more of that feather-stitching than ever, now that Ally has lost her situation."