The Turmoil by Booth Tarkington — Read

And so Bibbs sat in the porch of the temple with the money-changers. But no one came to scourge him forth, for this was the temple of Bigness, and the changing of money was holy worship and true religion. The priests wore that "settish" look Bibbs's mother had seen beginning to develop about his mouth and eyes -- a wary look which she could not define, but it comes with service at the temple; and it was the more marked upon Bibbs for his sharp awakening to the necessities of that service.

He did as little "useless" thinking as possible, giving himself no time for it. He worked continuously, keeping his thoughts still on his work when he came home at night; and he talked of nothing whatever except his work. But he did not sing at it. He was often in the streets, and people were not allowed to sing in the streets. They might make any manner of hideous uproar -- they could shake buildings; they could out-thunder the thunder, deafen the deaf, and kill the sick with noise; or they could walk the streets or drive through them bawling, squawking, or screeching, as they chose, if the noise was traceably connected with business; though street musicians were not tolerated, being considered a nuisance and an interference. A man or woman who went singing for pleasure through the streets -- like a crazy Neopolitan -- would have been stopped, and belike locked up; for Freedom does not mean that a citizen is allowed to do every outrageous thing that comes into his head. The streets were dangerous enough, in all conscience, without any singing! and the Motor Federation issued public warnings declaring that the pedestrian's life was in his own hands, and giving directions how to proceed with the least peril. However, Bibbs Sheridan had no desire to sing in the streets, or anywhere. He had gone to his work with an energy that, for the start, at least, was bitter, and there was no song left in him.