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Since this little book is not a treatise on palaeography, a manual of art, or a history of learning, and yet has to touch upon all three provinces, it is important to keep it from straying too far into any of them, and this is one of the most difficult tasks that I have ever enterprised. The temptation to dilate upon the beauty and intrinsic interest of the MSS. and upon the characteristic scripts of different ages and countries is hard to resist. And, indeed, without some slight elucidation of such matters my readers may be very much at fault.
I had begun a geographical survey of the field, taking countries as the units, and had written upon Italy and Spain, and attempted France. But I found that when the thirteenth and fourteenth centuries were reached my tract was becoming a disquisition upon palaeography, art, and learning, and, of course, was failing to do justice either to any one of them or to what it had promised in its title. I now think that a chronological survey will be more practicable, and that it will be best to take first the subject of book-production, looking at each country in turn in a single period, instead of following the course taken by each, from the sixth century to the fifteenth.