The Wanderings and Homes of Manuscripts by M.R. James

And now to turn to some individual libraries. Some of the most venerable have practically disappeared -- that of Glastonbury, for instance, the premier abbey of England, the only one which lived through from British to Saxon times.[C] To it we might reasonably look to trace many an ancient book belonging to the days of the old British Church. Leland, who visited the library not long before the Dissolution, represents himself as overawed by its antiquity. But almost the only record he quotes is one by "Melkinus," which most modern writers think was a late forgery. However, there is in the Bodleian one British book from Glastonbury, written, at least in part, in Cornwall, and preserving remnants of the learning of the British clergy. It has portions of Ovid and of Latin grammar, and passages of the Bible in Greek and Latin. The catalogue, too, shows that there were in fact a good number of old MSS., and also that the monks of the fourteenth century did not care much about them, for they are marked as "Old and useless," "Old and in bad condition" (_debilis_), and so on. The actual extant books which we can trace to this foundation are few and for the most part late.

St. Albans, founded by King Offa in the eighth century, has left us, as I said, no catalogue, but there are many of its books in our libraries. Two groups of them stand out. First are those procured by Abbot Simon (1166-1188) and Prior Mathias. These are very finely written. A typical and very interesting specimen is a Bible at Eton (26) which has three columns to a page -- a rare distinction in the twelfth century, pointing, perhaps, to its having been copied from a very early and venerable model. It has a sister book at Corpus Christi, Cambridge, and another -- a New Testament -- at Trinity College, Dublin. Then we have a large and important group of histories. The historiographers of St. Albans form a series reaching from Roger of Wendover (d. 1236) to Thomas Walsingham (d. 1422). The greatest of them was Matthew Paris (d. 1259). We have authentic and even autograph copies of many of these works, and especially of Paris's (at Corpus Christi, Cambridge (26 and 16), and in the British Museum, Royal 14, C. vii., Cotton Nero D. 1, etc.). And we have not only Paris's writing, but many of his drawings, for he was an accomplished artist. All these books furnish us with material for judging of the handwriting used at St. Albans in the twelfth and thirteenth centuries, and we can speak with fair confidence of St. Albans books of that period.