Explore "The Titan" by Theodore Dreiser on Textopian. Read with annotations and highlights.
The interested appearance of a man like Polk Lynde at this stage of Aileen's affairs was a bit of fortuitous or gratuitous humor on the part of fate, which is involved with that subconscious chemistry of things of which as yet we know nothing. Here was Aileen brooding over her fate, meditating over her wrongs, as it were; and here was Polk Lynde, an interesting, forceful Lothario of the city, who was perhaps as well suited to her moods and her tastes at this time as any male outside of Cowperwood could be.
In many respects Lynde was a charming man. He was comparatively young--not more than Aileen's own age--schooled, if not educated, at one of the best American colleges, of excellent taste in the matter of clothes, friends, and the details of living with which he chose to surround himself, but at heart a rake. He loved, and had from his youth up, to gamble. He was in one phase of the word a HARD and yet by no means a self-destructive drinker, for he had an iron constitution and could consume spirituous waters with the minimum of ill effect. He had what Gibbon was wont to call "the most amiable of our vices, " a passion for women, and he cared no more for the cool, patient, almost penitent methods by which his father had built up the immense reaper business, of which he was supposedly the heir, than he cared for the mysteries or sacred rights of the Chaldees. He realized that the business itself was a splendid thing. He liked on occasion to think of it with all its extent of ground-space, plain red-brick buildings, tall stacks and yelling whistles; but he liked in no way to have anything to do with the rather commonplace routine of its manipulation.