Explore "Scraps of Hibernian Ballads" by Joseph Thomas Sheridan Le Fanu on Textopian. Read with annotations and highlights.
I have observed, my dear friend, among other grievous misconceptions current among men otherwise well-informed, and which tend to degrade the pretensions of my native land, an impression that there exists no such thing as indigenous modern Irish composition deserving the name of poetry -- a belief which has been thoughtlessly sustained and confirmed by the unconscionable literary perverseness of Irishmen themselves, who have preferred the easy task of concocting humorous extravaganzas, which caricature with merciless exaggeration the pedantry, bombast, and blunders incident to the lowest order of Hibernian ballads, to the more pleasurable and patriotic duty of collecting together the many, many specimens of genuine poetic feeling, which have grown up, like its wild flowers, from the warm though neglected soil of Ireland.
In fact, the productions which have long been regarded as pure samples of Irish poetic composition, such as "The Groves of Blarney," and "The Wedding of Ballyporeen," "Ally Croker," etc., etc., are altogether spurious, and as much like the thing they call themselves "as I to Hercules."