Harlequin Mercutio by Alice Meynell — Read

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The first time that Mercutio fell upon the English stage, there fell with him a gay and hardly human figure; it fell, perhaps finally, for English drama. That manner of man -- Arlecchino, or Harlequin -- had outlived his playmates, Pantaleone, Brighella, Colombina, and the Clown. A little of

Pantaleone survives in old Capulet, a little in the father of the Shrew, but the life of Mercutio in the one play, and of the subordinate Tranio in the other, is less quickly spent, less easily put out, than the smouldering of the old man. Arlecchino frolics in and out of the tragedy and comedy of Shakespeare, until he thus dies in his lightest, his brightest, his most vital shape.

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