Explore "The Slaves of Paris" by Emile Gaboriau on Textopian. Read with annotations and highlights.
Baptiste Mascarin had been in so many strange situations, from which he had extricated himself with safety and credit, that he had the fullest self-confidence, but as he ascended the wide staircase of the Hotel de Mussidan, he felt his heart beat quicker in anticipation of the struggle that was before him. It was twilight out of doors, but all within was a blaze of light. The library into which he was ushered was a vast apartment, furnished in severe taste. At the sound of the unaristocratic name of Mascarin, which seemed as much out of place as a drunkard's oath in the chamber of sleeping innocence, M. de Mussidan raised his head in sudden surprise. The Count was seated at the other end of the room, reading by the light of four candles placed in a magnificently wrought candelabra. He threw down his paper, and raising his glasses, gazed with astonishment at Mascarin, who, with his hat in his hand and his heart in his mouth, slowly crossed the room, muttering a few unintelligible apologies. He could make nothing, however, of his visitor, and said, "Whom do you wish to see, sir?"
"The Count de Mussidan," stuttered Mascarin; "and I hope that you will forgive this intrusion."