Magnificent Obsession by Lloyd C. Douglas

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When Merrick arrived at his apartment shortly after midnight, he slipped out of his dinner clothes and into a dressing-gown, and told Matsu to toss another chunk of pine on the fire and go to bed.

The evening's entertainment had been a gusty symphony set to every key and tempo; brief passages of ineffable tenderness, momentary measures of hope, drably padded intervals of manoeuvring and modulation, spiced, with occasional breath-taking crescendos that went ripping shrilly up the chromatic scale precariously freighted with anxiety. The finale, unfortunately, had brought up on a most disquieting diminished chord. Considering the evening, in total, its moods were as fitful and erratic as Sibelius' Valse Triste.

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