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From this time, what is worth relating of my life will come into a very small compass; for I have no further mental changes to tell of, but only, as I hope, a continued mental progress; which does not admit of a consecutive history, and the results of which, if real, will be best found in my writings. I shall, therefore, greatly abridge the chronicle of my subsequent years.
The first use I made of the leisure which I gained by disconnecting myself from the Review, was to finish the Logic. In July and August, 1838, I had found an interval in which to execute what was still undone of the original draft of the Third Book. In working out the logical theory of those laws of nature which are not laws of Causation, nor corollaries from such laws, I was led to recognize kinds as realities in nature, and not mere distinctions for convenience; a light which I had not obtained when the First Book was written, and which made it necessary for me to modify and enlarge several chapters of that Book. The Book on Language and Classification, and the chapter on the Classification of Fallacies, were drafted in the autumn of the same year; the remainder of the work, in the summer and autumn of 1840. From April following to the end of 1841, my spare time was devoted to a complete rewriting of the book from its commencement. It is in this way that all my books have been composed. They were always written at least twice over; a first draft of the entire work was completed to the very end of the subject, then the whole begun again de novo; but incorporating, in the second writing, all sentences and parts of sentences of the old draft, which appeared as suitable to my purpose as anything which I could write in lieu of them. I have found great advantages in this system of double redaction. It combines, better than any other mode of composition, the freshness and vigour of the first conception, with the superior precision and completeness resulting from prolonged thought. In my own case, moreover, I have found that the patience necessary for a careful elaboration of the details of composition and expression, costs much less effort after the entire subject has been once gone through, and the substance of all that I find to say has in some manner, however imperfect, been got upon paper. The only thing which I am careful, in the first draft, to make as perfect as I am able, is the arrangement. If that is bad, the whole thread on which the ideas string themselves becomes twisted; thoughts placed in a wrong connection are not expounded in a manner that suits the right, and a first draft with this original vice is next to useless as a foundation for the final treatment.