Dead Souls by Nikolai Gogol

Why do I so persistently paint the poverty, the imperfections of Russian life, and delve into the remotest depths, the most retired holes and corners, of our Empire for my subjects? The answer is that there is nothing else to be done when an author's idiosyncrasy happens to incline him that way. So again we find ourselves in a retired spot. But what a spot!

Imagine, if you can, a mountain range like a gigantic fortress, with embrasures and bastions which appear to soar a thousand versts towards the heights of heaven, and, towering grandly over a boundless expanse of plain, are broken up into precipitous, overhanging limestone cliffs. Here and there those cliffs are seamed with watercourses and gullies, while at other points they are rounded off into spurs of green -- spurs now coated with fleece-like tufts of young undergrowth, now studded with the stumps of felled trees, now covered with timber which has, by some miracle, escaped the woodman's axe. Also, a river winds awhile between its banks, then leaves the meadow land, divides into runlets (all flashing in the sun like fire), plunges, reunited, into the midst of a thicket of elder, birch, and pine, and, lastly, speeds triumphantly past bridges and mills and weirs which seem to be lying in wait for it at every turn.