What is to be Done? by Nikolay Chernyshevsky

Read "What is to be Done?" by Nikolay Chernyshevsky online for free on Textopian. Full text with search, annotations, highlights, and AI-powered reading aids.

"Well [nu! ]," thinks the sapient reader, "now the main character is to be Rakhmétof; and he will put everybody into his belt, and Viéra Pavlovna will fall in love with him; and soon the same story will begin with Kirsánof as happened to Lopukhóf."

There will be nothing of the sort, O sapient reader. Rakhmétof will spend the evening, will speak with Viéra Pavlovna. I shall not hide one word of their conversation from thee, and thou shalt quickly see, that if I did not want to share this conversation with thee, it might have been very easy for me to hide it from thee, and the current of my narration would not have been altered in the least if I had kept silent; and I tell thee in advance, that after Rakhmétof speaks with Viéra Pavlovna, he will leave the house, and then he will disappear forever from this narrative; and that he will be neither the main nor a subordinate, or any character whatsoever in my novel. Then why was he brought into the novel at all, and described so minutely? Just try, sapient reader, if thou canst guess why. But this will be told thee in the following pages, immediately after Rakhmétof's conversation with Viéra Pavlovna. As soon as he disappears, I will tell thee at the end of the chapter. Now just try to guess what will be said there; it is not very hard to guess if thou hast the least conception of the artistic, of which thou art so fond of talking. But how canst thou? Nu! I will tell thee more than half of the answer. Rakhmétof was brought in so as to fulfil the principal, the most radical demand of what is artistic; exclusively to give satisfaction to it. Well, well! Guess now. Try to guess this very minute what is that demand. What was it needful to do for its satisfaction? and how was it satisfied by showing thee Rakhmétof's figure, which has no influence or part in the current of this narrative? Well (nu-ko), guess! The lady reader and the simple reader, who do not talk about the artistic, they understand. But do try to guess, thou wiseling! For this reason plenty of time is given thee, and for this purpose a long and thick dash is placed between the lines. Dost thou see how much pains I take on thy account? Stop for a moment, and just think if thou canst not guess!

Reading navigation